Dr Douglas Walker 30 has, together with fellow psychiatrists Brenda 33Hugo in his late thirtiesand Zimmerman in his twentiesset up a commune, to which they will invite mental patients for humane and gentle therapy. The first is Mary Barnes 42who has a history of mental illness and imagines that she is a nurse. They are joined by American psychiatrist Eddie 25 with his new girlfriend Beth. When Mary refuses to eat, Eddie, fearing that she may have to be returned to hospital, wins her over with games.
The painting depicts five figures sitting around a square table eating potatoes; three of them are females and two of them are males. The subject matter is realistic and naturalistic as it depicts the ordinary life of five peasants. Most of them are eating baked potatoes from a potato tray.
The woman on the extreme right of the painting is pouring a brew similar to coffee into the cups on the table from a teapot. All of them are wearing either caps or kerchiefs, and thick and long clothing.
They are in a dark room and the only light source comes from the oil lamp hanging from the beams of the ceiling. The lamp is situated almost in the centre of the painting and it illuminates the room.
Although the painting is dominated by dark and gloomy colors, the facial expressions of the peasants shine out brightly, revealing their mixed inner emotions.
Their expressions are very serious and solemn, and they do not seem to be very happy. Their looks are portrayed to be ambivalent and mistrusting. The figures remain in a depth of their own, not communicating, but gazing straight into the imaginary world. They have coarse and protruding features, which are distinctive characteristics of peasants.
Their figures are bony and coarse, as seen from their hands that stretched out to obtain the potatoes.
However, their figures are also mainly naturalistic and rather clear and defined. It is obvious that Van Gogh is trying to portray the ordinary, poor and tough lives of the peasants. The entire painting is monochromatic. The colors used are mainly dull colors such as brown and black, giving a depressing and melancholy feeling to the painting.
The earthy tones resemble the coarse, sun burnt face of the peasants.
They may have gone through hard work and labor under the sun and thus, earthy colors are used to give a naturalistic feeling to the painting. The silhouettes of the peasants are in dark colors, which set off against the monochrome gloom of the background.
The painting is also realistic and non-exaggerated, as it is merely a scene from ordinary daily life of peasants at that period of time. Hence the overall colors used are tertiary and earthly. There is also a play of dark and light tones which is presented by using chiaroscuro in the modeling of the faces of the potato eaters.
The composition of the painting is carefully arranged. The painting is almost symmetrical in the way the figures are positioned, as they are distributed geometrically.
There are two people on either side of the table facing each other, framing another two seated behind the table facing the viewer, which is visually separated by a feminine figure giving her back to the viewer at the front of the table.
The subjects are arranged in a unified and balanced composition as the space is all well used and all the potato eaters are sitting in a comfortable position. Thus it shows a balanced composition without any unused space.
The ceiling is low and close to the peasants, the room is also small and shabby, creating a sense of oppression.
These factors also contribute to the hushed, dank atmosphere in the painting, which is clumsiness to the bulky shapes of the figures. Naturalism advocates the depiction of realistic objects in a natural setting, representing people, places and objects without deliberate idealization or stylization and a close attention to accurate and precise details.
The painting is naturalistic in the sense that it consisted of accurate, factual representation of people, places, and objects. The figures of the peasants are also mainly naturalistic and rather clear and defined, with no exaggerations in the portrayal of certain body parts to achieve intended effects.
Organic and three-dimensional shapes are depicted, such as the forms of the peasants and the objects around them potatoes, cups, table etc. The colors used are also factual and realistic colors.
Earthy colors are chosen to illustrate the faces and hands of the peasants, to give the impression that they had gone through hard work and labor under the sun for long periods of time and thus, their faces and hands are sun burnt to such a color, creating a naturalistic feeling to the painting.
The depiction of light comes from a definite light source which is the light shinning from the lamp hanging above the dining table. Chiaroscuro is also used, adding value and depth to the forms within the painting, allowing them to stand more independently from the background.
These abilities to capture light and color as the eye sees it also contributed to the idea of naturalism. The use of somber tones definitely illustrated how a poor life of a peasant could be.As a follow-up to Tuesday’s post about the majority-minority public schools in Oslo, the following brief account reports the latest statistics on the cultural enrichment of schools in Austria.
Vienna is the most fully enriched location, and seems to be in roughly the same situation as Oslo. Many thanks to Hermes for the translation from urbanagricultureinitiative.com In , Teodor de Wyzewa, the art critic and Wagnerian enthusiast, looked back over the previous 15 years of French painting and concluded that a clear distinction could be drawn between the anarchy and impetuous innovation of the s and the consolidation and relative order of the succeeding.
Art Criticism on Vincent Van Gogh's Starry Night Essay Van Gogh's Starry Eyes Brings Out a Starry Night Vincent Van Gogh's Starry Night is probably his most famous painting.
Instantly on to a relief. Among his most influential models of 'Expressionism' his masterpieces comprise; 'The Starry Night, The Potato Eaters, and various. Van Gogh’s, Potato Eaters and Starry Night illustrate his transition from realism to post-impressionism.
Vincent Van Gogh never gave up his style and insight in his early work compared to his later work. I will discuss the comparison of the Potato Eaters and Starry Night and even though there are.
Vincent Van Gogh The Bold Painter The beautiful painting, Starry Night is the most popular, well known, and one of my favorite paintings of Vincent Van Gogh(). Some of the other famous paintings of his are Sunflowers, Irises, and The Potato Eaters.
In , after leaving his wife Sien and his children Vincent Van Gogh headed to Nuenen. Coming off a disturbing part of his life, which included the break up with his ex-wife with several issues and suffering from gonorrhea, he was having a considerably difficult time.